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Part 1 – Image and Practice

On 24 February 1839, Jean Baptiste Biot suggested in a letter to William Henry Fox Talbot that the fixation of exact photographic tonality, the fine shades, (and depending on how you read it, even the...

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Part 2 –– Photography and the Invisible

For many years, an oft-repeated theme in relation to science photographs has been the revelatory concept of making invisible things visible. Reiterated in exhibition and book titles, the concept has...

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Part 3 – Photographic Practice and Photography

Since we are following a trajectory in this blog of asking what it might be like to explore photographic history from a look at particular photographic practices, I want to address one of the comments...

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Part 4 – Observation

The next two blogs will deal with the often conjoined activities of observation and experiment, as they pertain to photography and science. They are significant in thinking about photography because...

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Part 5 – Experiment

Experiments have traditionally been set in opposition to observation, although more recent scholarship has begun to seriously question that neat categorization. If photographic observations, the...

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Part 6 – Reflections on the Effect of Photography on the Sciences

In this last blog I want to turn the conversation toward something that has lately occupied me in my writing and thinking about photography and photographic practice. Many of the arguments put forward...

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